bewitching:oldhollywood:Stills via Rebecca’s (1940, dir. Alfred Hitchcock) opening sequence. “Last night, I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter for the way was barred to me. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done. But as I advanced, I was aware that a change had come upon it. Nature had come into her own again, and little by little had encroached upon the drive with long tenacious fingers, on and on while the poor thread that had once been our drive. And finally, there was Manderley - Manderley - secretive and silent. I looked upon a desolate shell, with no whisper of a past about its staring walls. We can never go back to Manderley again.”

bewitching:oldhollywood:Stills via Rebecca’s (1940, dir. Alfred Hitchcock) opening sequence.

“Last night, I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter for the way was barred to me. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done. But as I advanced, I was aware that a change had come upon it. Nature had come into her own again, and little by little had encroached upon the drive with long tenacious fingers, on and on while the poor thread that had once been our drive.

And finally, there was Manderley - Manderley - secretive and silent. I looked upon a desolate shell, with no whisper of a past about its staring walls. We can never go back to Manderley again.”

bewitching:oldhollywood:Stills via Rebecca’s (1940, dir. Alfred Hitchcock) opening sequence. “Last night, I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter for the way was barred to me. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done. But as I advanced, I was aware that a change had come upon it. Nature had come into her own again, and little by little had encroached upon the drive with long tenacious fingers, on and on while the poor thread that had once been our drive. And finally, there was Manderley - Manderley - secretive and silent. I looked upon a desolate shell, with no whisper of a past about its staring walls. We can never go back to Manderley again.”

bewitching:oldhollywood:Stills via Rebecca’s (1940, dir. Alfred Hitchcock) opening sequence.

“Last night, I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for a while I could not enter for the way was barred to me. Then, like all dreamers, I was possessed of a sudden with supernatural powers and passed like a spirit through the barrier before me. The drive wound away in front of me, twisting and turning as it had always done. But as I advanced, I was aware that a change had come upon it. Nature had come into her own again, and little by little had encroached upon the drive with long tenacious fingers, on and on while the poor thread that had once been our drive.

And finally, there was Manderley - Manderley - secretive and silent. I looked upon a desolate shell, with no whisper of a past about its staring walls. We can never go back to Manderley again.”

Posted 2 years ago 128 notes View high resolution

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    “Last night, I dreamt I went to Manderley again. It seemed to me I stood by the iron gate leading to the drive, and for...
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    Stills (1940, dir. Alfred Hitchcock) opening sequence.
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